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La caricature et la « déqualification » de l’art: le cas de Henry Bunbury (1750-1810) et de Thomas Rowlandson (1756-1827) This paper will be featuring in a volume of essays on visual satire that will be published in 2017 in a digital format. The project results from two conferences on satirical imagery that were held in Canada and France in 2014-15 (L’Histoire de… Read More ›

Intranquillité de la caricature

A conference was held last night at the French Institute in Tel Aviv, the third part in a cycle of events commemorating the first anniversary of the attacks against Charlie Hebdo and Hyper Cacher last January in Paris. The theme was ‘the history and functions of caricature and laughter’: two presentations on historical perspectives were given… Read More ›

British Art Workshop: 18th and 19th centuries

Organised in conjunction with the Faculty of Art History, University of Belgrade 30th June – 4th July 2014 http://www.f.bg.ac.rs/istorija_umetnosti Позивају се заинтересовани студенти свих година студија историје уметности са знањем енглеског језика да се пријаве за петодневну ваннаставну радионицу „Британска уметност (18-19.век)“ коју ће од 30.6. до 4.7.2014.на одељењу водити Кејт Гранджуан, историчарка уметности из… Read More ›

Cross-cutting Identities. William Hogarth: Painter, Print-Maker, Art Theorist

Faculty of Art History, University of Belgrade, Monday 28th April 2014 Abstract This major eighteenth-century British artist is a painter of multiple attachments and this lecture explores the interface between his simultaneous activities. Hogarth became famous as a portraitist and also as a satirist; he painted comedy and penned aesthetic theory. I approach these areas of artistic activity as mutually constitutive commercial projects and ask to what extent the fluid artistic identities that resulted… Read More ›

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kategrandjouan

kategrandjouan

Art historian of eighteenth century British art writing a book about depictions of the French in English graphic satire. Currently based in Tel Aviv and interested in art, satire, ethnicity and identity

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