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JULY 2016, CONFERENCE:MAKING BRITAIN MODERN. CONFERENCE IN CELEBRATION OF PROFESSOR DAVID H. SOLKIN, COURTAULD INSTITUTE OF ART, LONDON. ‘French Disruption: Alterity and the Satirical Print’.

JANUARY 2016, CONFERENCE: ‘ROWLANDSON AND AFTER: RETHINKING GRAPHIC SATIRE’ Invited speaker for a conference organised by the Paul Mellon Centre for Studies in British Art and the Queen’s Gallery Buckingham Palace: ‘Thomas Rowlandson in the 1780s: the double professional route into comic art’.

JANUARY 2016: L’INTRANQUILLITE DE LA CARICATURE, INSTITUT FRANCAIS DE TEL AVIV For the Cultural Services to commemorate the first anniversary of the Charlie HEbdo attacks in Paris 2015. Curated an exhibition on the history of caricature and organised a series of public lectures. Participated in a debate on caricature and freedom of speech.

JUNE 2015: CONFERENCE: L’IMAGE RAILLEUSE – A SATIRE VISUELLE DU 18E SIECLE A NOS JOURS, INSTITUT NATIONAL D’HISTOIRE DE L’ART, PARIS: ‘La Caricature et la déqualification de l’art: le cas de Henry Bunbury (1750-1810) et de Thomas Rowlandson (1756-1827).

APRIL 2015: LECTURE FOR THE DEPARTMENT OF ART HISTORY, UNIVERSITY OF BELGRADE: ‘The Art of James Gillray and the The French Revolution’

MARCH 2015 CONFERENCE: JAMES GILLRAY@2000: CARICATURIST WITHOUT A CONSCIENCE, OXFORD ‘Gillray’s French jokes: the ‘sick-list’ casualties of the 1790s’.

NOVEMBER 2014: INVITED SPEAKER ON HOGARTH AND PRINT CULTURE, ORGANISED BY THE TATE BRITAIN & THE PAUL MELLON CENTRE FOR STUDIES IN BRITISH ART, LONDON: With 20 scholars from across Europe to establish the parameters of research project and exhibition on Moral Painting and Social Satire

APRIL 2014: LECTURE FOR THE FACULTY OF ART HISTORY, UNIVERSITY OF BELGRADE: ‘Cross-Cutting Identities: William Hogarth, Painter, Print-maker and Art Theorist’.

MARCH 2014; CONFERENCE: AVANT-GARDES, FROM DADA TO SURREALISM, BELGRADE: ‘Le Surréalisme transnationalisé’: L’exposition internationale de 1936′

MARCH 2014: LECTURE FOR FACULTY OF LANGUAGES, UNIVERSITY OF BELGRADE: ‘Moi et ou l’autre: La Comparaison Nationale au 18ème siècle’

APRIL 2013: CONFERENCE:ASSOCIATIONS OF ART HISTORIANS : PANEL ‘THE ART HISTORY OF THE ANIMAL’, UNIVERSITY OF READING: ‘A Fox Without will be a Fox within’: Satire Animality and the French.

FEBRUARY 2013: LECTURE: SHOWCASING ART HISTORY, COURTAULD INSTITUTE OF ART: ‘Defining Beauty in Empirical Terms: Hogarth’s Analysis of Beauty‘.

MAY 2012: SEMINAR: RESEARCH FORUM, COURTAULD INSTITUTE:‘ Self and/or Other: Anglo-French Pairs and Comparisons, 1756-1786

 

 

kategrandjouan@gmail.com

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kategrandjouan

kategrandjouan

Art historian of eighteenth century British art writing a book about depictions of the French in English graphic satire. Currently based in Tel Aviv and interested in art, satire, ethnicity and identity

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