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La caricature et la « déqualification » de l’art: le cas de Henry Bunbury (1750-1810) et de Thomas Rowlandson (1756-1827)

This paper will be featuring in a volume of essays on visual satire that will be published in 2018 in a digital format. The project results from two conferences on satirical imagery that were held in Canada and France in 2014-15 (L’Histoire de l’art aux limites du satirique (Montréal, UQAM et Musée McCord, avril 2014) and L’Image railleuse. La satire visuelle du 18e siècle à nos jours (Paris, INHA/UQAM/LARHRA-UMR 5190, juin 2015). The publication groups together articles by an international panel of scholars and will be published (in French) with the support of the Conseil de recherches en sciences humaines du Canada (CRSH) and the Institut national d’histoire de l’art (INHA, Paris). The volume is edited by Laurent Baridon (Université de Lyon 2-Lumières, LARHA UMR 5190); Frédérique Desbussions (Institut national d’histoire de l’art / Université de Reims) and Dominic Hardy Université du Québec à Montréal / équipe Caricature et satire graphique à Montréal (CASGRAM) and will be made available on the website of the l’INHA.

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Art historian of eighteenth century British art writing a book about depictions of the French in English graphic satire. Currently based in Tel Aviv and interested in art, satire, ethnicity and identity

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